Friday, April 30, 2010

Fenêtre sur cour


















En 1954, Hitchcok réalisait Fenêtre sur cour. Hier soir, en 2010, ce film illustrait pour moi la réalité des trop nombreuses fenêtres, celles qu'on ne sait cesser d'ouvrir sur un écran d'ordinateur. L'homme en haut de ce mirador en 2D, à l'ombre, qui voit sans être vu, est submergé par le trop plein d'information à traiter. Et moi aussi. A l'abri derrière mon clavier, je dois limiter, juguler, organiser le royaume des possibilités (wow... dur, dur, les pensées du matin).

Thursday, April 29, 2010

D'eau


Pensé à Londres il y a un an (ou deux), l'eau du robinet adopte les codes marketing des produits de grande consommation. De Lyon à Paris, à découvrir ici.

Friday, April 23, 2010

On creating a brand for Europe

Wally is back , mais moi aussi!
In a post-national Europe (not without, but beyond the nation) , citizenship + loyalty + sense of belonging operate at multiple levels. And this is what makes the European project different from anything else. Branding Europe is not like branding Coca-Cola, it is like branding Amazon = a wishlist for framework.

Thursday, April 22, 2010

Verte est mon armée (suite)

Batiactu, 21/04/2010
"Selon un rapport publié mardi, l'armée américaine utilise, entre autres, des systèmes de purification d’eau fonctionnant à l’énergie solaire afin de diminuer son empreinte écologique (...). Fort Irwin en Californie, devra cesser de puiser son énergie à partir du réseau électrique dans les dix ans à venir".
Ouaah

Tuesday, April 13, 2010

Design & politics : une histoire de couvertures

"A hardback book and a PDF for Britain"

CREATIVE REVIEW
Posted by Mark Sinclair, 13 April 2010















"Labour and the Conservatives have just unveiled their manifestos. The design of the documents tells us much about the image they each want to project in the run up to the UK general election...

In terms of formats, Labour's manifesto is at present only available from their website as a 78-page PDF; while the Tories' was initially presented as a hardback book of over 100 pages (available for £5) and also, from this morning, as a PDF (in viewer, below).

Labour's coverline, "A future fair for all", has an easy, homespun simplicity to it, while the Conservative's "Invitation to join the government of Britain" seems ever-so-slightly arch, a presupposition that this document will outline the path of the next Parliament. The line does hint at inclusivity, too, which is the main theme explored in an accompanying film, featuring Dave and three regular, hard-working British folks, up at conservatives.com.

Aesthetically, the manifetos could not be more different. The Conservatives return to a darker blue hue, which feels defiantly more serious and weighty than the light blue and green wash applied to their current arboreal identity. While a hardback seemed to have been a strangely inflexible choice for an election document in the digital world, the PDF version takes the look of the book format online.

Conversely, the cover of Labour's manifesto recalls, on the one hand, the new dawn motif of socialist-realist propaganda, and on the other, the Come to the Suburbs London Transport posters of the 1930s and 40s. (In his cartoon in today's Guardian, Steve Bell implies that the green and pleasant land does perhaps appear to be at the mercy of a large explosion, however).
Inside – yes, we have looked through the whole thing – Labour's documented contains little imagery other than some fairly straight-looking divider pages that echo the sunburst image used on the cover:














The Conservative manifesto, however, has some full page typographic illustrations throughout (two shown, below) that belie the sobriety of the cover:















Interestingly, Saatchi & Saatchi worked with Ridley Scott Associates (RSA) on the design of Labour's manifesto and also on an accompanying 120-second animation that details the main themes in the document (see below) and how they will potentially affect the British family. The illustrations used in the cartoon have a certain charm about them, which is lacking from the illustrations in the manifesto document, and are clearly designed to encourage viewers to email the film on.

The web, of course, now plays a vital role in the political campaigns that surround an election. What's interesting here though, is how both Labour and the Conservatives are venturing into digital territory whilst remaining traditionalist with the look and feel of their manifestos. Labour's cover is an almost nostalgic paen to some verdant land we can all presumably return to; the Tories' is simply and straightforwardly a very serious looking, cloth-bound book.
As both parties are keen to point out: you be the judge. "